Crunluath Honey Bee Class

Thanks to Keith Clark for words and pictures about Crunluath his Honey Bee class sloop.



Crunluath is a Honey Bee class sloop traditionally built with mahogany planks on oak frames by William Boag and Sons at Largs the Clyde in 1965.

The class design dates from 1958 and boats were built in Scotland by a few builders, then later more in East Germany. These latter boats were strip planked and had laid teak decks. At least two other boats were built in the 1960s by Dixon Kerley at Maldon and were a slight variation on the original design with a five berth layout and were described as Queen Bees.

The overall length is 27ft 6ins, give or take a few eighths, these were hand built boats and each is slightly different! Beam is a slender, by modern standards, 8ft., draught with an iron keel is 5ft 2ins. The original design showed a fractional rig with a keel stepped mast but all the boats I know of have a masthead rig and most have deck stepped masts.



They were designed by R.A.Balfour, a scottish trained naval architect, and came about as a result of a competition to design a boat suitable for a family of four to sail the west coast of Scotland. Balfours design was the second prize winner in the competition but as far as I know the winner, designed by the well known Alan Buchanan never gained popularity.

In many ways they were a boat behind the times, designed in the 1950s and built just before grp got a grip on the boat building scene. When costs became prohibitive in the 1960s boats were imported from East Germany. About twenty boats are known to exist, or have existed, please contact Keiths Honey Bee website if you know of any others.



Not fast by modern standards they nevertheless sail well, especially to windward and are very well behaved except, like all long keeled sailing boats, when it comes to close quarters manoeuvres; they are a liabilty in a marina! Once into open water they cope with anything the sea throws at them. Accommodation is cosy, nominally four or even five berths, a galley and heads compartment so you have to be good friends with fellow crew members. Early petrol engines have been replaced by more modern diesels of course but apart from some metal spars and modern sails they look much the same now as they did when first built, very much a traditional british family yacht.

Roxane

Designed by Nigel Irens more famous for ocean racing catamarans, Roxane is a high performance/high tech traditional cruising yacht.

Her design uses carbon spars and a fully battened lug rig on a efficient and shallow draft hull (with centre board). Seen here is Mischief leading the way in the Solent Old Gaffers race a few years ago - she finished second.

Roxane is a boat Nigel designed and built for himself at just under 30 feet, there is a smaller sister ship Romilly at 22 feet.

Lots of details at Peter Holdens Roxane a& Romilly site.

Thistle Racing Class

Designed by Sandy Douglas, the Thistle debuted in 1945. The sail plan consists of a marconi main, small jib, and a spinnaker. The boat planes easily in 10-12 knots of breeze and will glide effortlessly in light air.
Sandy Douglas was mentored by the superlative Uffa Fox and the racing canoe influence is readily apparent in the nimble Thistle.


One of my favorite boats, hull number sixteen, was manufactured in 1946. The Thistle Class Association has no record of this boat, so it is speculated that it was a "kit" boat, possibly assembled by its owner and probably never raced.


The original wood thistles were built by a "hot molding" method. All of the wood hulls up through the 1960s were taken from a single mold in a plywood factory, where the double diagonal mahogany strips were fastened to the mold with bronze staples and glue, then heated under pressure in the factorys drying kiln. The resulting laminate is amazingly resilient even though it is only 5/16"(79.4mm) thick. A finished hull, with lead centerboard, thwart, seats, mast partner and rudder weighs in at 500 lbs (US). The bare hulls, along with all of the wood parts were sold as a kit, so many of these old boats were finished at home by the racers themselves.

The Thistle Class migrated to fiberglass boats in the 1960s and as such are still manufactured today.






One-design rules dictate that the boats be held to strict specifications in order to be raced. There is no reason this 63 year-old wood boat would not be competitive with a modern Thistle. In fact modern racers believe the antique wood hulls to be stiffer than a fiberglass hull just a few years old. Retired wood hulls from all over the US are being restored and pressed back into service. Hull number 16 is no exception and following her restoration in my shop on the west coast of the US has moved cross-country to be raced in the Delaware area by her new owner.

St Michel II Jules Vernes yacht returns!

The happy band of sailing men seen in the picture here are volunteers from the "Cale 2 lIle" association based in the French port of Nantes. The association aims to save some of Frances nautical heritage by restoring and maintaining old boats.

The boat theyre sitting on is one they all helped build - the St Michel II - a replica of Jules Vernes second yacht in which he enjoyed escaping from land to cruise and write his novels in peace. (The reason theyre all sitting on the rail, by the way, is that theyre helping the boats designer, Francois Vivier, to measure the boats stability.)

The 6 year project to build St Michel II was completed earlier this year and she was launched at Nantes where Jules Verne was born in 1828.

Jules Verne was, from an early age, an enthusiast for all things to do with ships and the sea. In 1865, with his books selling well, and his fortune increasing, he bought a small fishing vessel of around 25 ft at the small port of Le Crotoy at the mouth of the river Somme, and had it converted into a capable sailing yacht. Verne made many extended cruises in his little boat, becoming familiar with many ports in Northern France, the Channel Islands and parts of the English south coast. He even sailed up the Thames to London. It was on board this yacht, the St Michel, while cruising with his crewman Alexandre Delong, that Verne wrote his “20,000 Leagues Under The Sea”.

In 1875 after having been elected to membership of Frances premier yacht club, Verne ordered a larger 13m yacht from the Cherbourg yard of Abel Lemarchand. Although he took pleasure in working with the builder on the yachts plans, she retained the lines and character of a traditional northern French pilot vessel. The new boat was named St Michel II and launched in 1876. Once again Verne undertook a full programme of extended cruising, along the coasts of northern france, the south of England, Brittany, and even across the Bay of Biscay to Bordeaux and back. He loved the peace and solitude he found on board his boats, and was able to write very productively while at sea, unburdened by everyday social and family matters.

After only a couple of seasons, however, the St Michel II was replaced by a magnificent steam motor-sailer of 31 metres length, the St Michel III, a vessel befitting the worlds most famous author of tales of travel and adventure. This new boat required a crew of 10 men, and Vernes cruises became even longer and more extended, reaching as far as the Baltic, Scotland, Spain, Portugal, North Africa, Malta and Italy.

The original St Michel II was sold to the St Nazaire Pilot station where she served for many years. Later she became the supply ship for the prison on the island of Belle-Ile, off the Brittany coast. The St Michel II was eventually scrapped in 1911.

The new replica St Michel II has already taken part in a number of sailing events for classic and historic vessels around the coast of France. Her first public outing was at the famous "Semaine du Golfe de Morbihan" (Morbihan Week), a biennial boatfest which attracts hundreds of vessels of all shapes and sizes. Im hoping to take part in the 2013 event with my own boat - if my own restoration project is complete by then.

St Michel II

LOA: 13.27m
Beam: 3.52m
Draft: 2.25m

Acknowledgements and links:

Association La Cale 2 lIle

Images and story sources: La Cale 2 lIle and Francois Vivier

Additional images: Ouest-France, Mer et Marine.com

Teak Lady MaZu San Francisco Bay Racing Class

MaZu was the last Teak Lady built and was completed in February 1958 by Ah King Slipway in Hong Kong. Though she is a production boat, she looks and sails like a thoroughbred and sports the detailing of a petite yacht, built entirely of teak with durable bronze hardware.

The original Teak Lady was designed by Ted Kilkenny for his nephew in the mid-1930s and resembled the 23-foot San Francisco Bay Bear Boat but 6 feet shorter and proportionately heavier, with a deeper full keel and a taller rig.






The Teak Lady proved herself so well against other Bay boats that soon outside orders were placed.
A brightly varnished Teak Lady was displayed at the 1937 World Expo/Fair on Treasure Island, and before the fair closed, fourteen new Teak Ladies were ordered. By 1940 the 17 3" Teak Lady was an official San Francisco Bay racing class.

More fame came to the Teak Lady class in the 1940s. A young couple sailed from Monterey, California to Hawaii, then to the South Pacific, logging 8,000 nautical miles. At that time she was the smallest boat to cross the Pacific Ocean.


David Keenan, a former owner of MaZu sailed her in all kinds of weather in San Francisco and San Pablo Bays. He tells me that in one 55-knot winter gale, there was concern at the Vallejo Yacht Club when they noticed MaZu driving hard to weather with the ports submerged. But after noticing through the yacht club binoculars that both captain and crew were sporting ear to ear grins, they decided the rescue party could be called off.








MaZu is currently moored on the northwest coast of the US, in Toledo, Oregon. She sports her colors at local boat shows where families line up for free sailing lessons.

Opera Class

To the south west of Liverpool, the Wirral peninsular forms the northern shore of the estuary to the River Dee. The unique geography created a deep water sea-lake, the Hoyle Lake around which were established fishing communities and safe havens in the protected waters was far back as Roman times.

The Hoylake Sailing Club was established in 1887, in response to the silting up of the river and channel at the turn of the twentieth century the members decided to adopt a shallow draft boat which was suitable for the area. The boat they chose became the Opera Class, a 16 foot gaff rigged clinker boat, based on a design by club member Captain Winchester and built locally by another club member and boat builder Alex Latta.



The first race of the Opera Class took place in 1902 and boat numbers quickly grew to 17. The class celebrated its centenary in 2002 with 14 of the original boats still racing at Holylake Sailing Club, another boat "La Poupee" is on display at the Merseyside Maritime Museum.



In 1909 one of the class "Orchid" made a voyage to Ardrossan, in Ayrshire, Scotland and then acros the Irish sea to Ballycastle in Northern Ireland, a remarkable voyage for a 16 foot open boat.



All the photographs are kindly provided by John Hughes who sails his Opera Class Iolanthe, named after the operetta by Gilbert and Sullivan.

Opera Class boats at Hoylake Sailing Club

1: Fidelio
2: Aida
4: Valkyrie
5: Country Girl
6: La Poupee
7: Princess Ida
8: Geisha
9: Carmen
10: Orchid
11: La Boheme
12: Betty
13: La Tosca
14: Silvana
16: Iolanthe
17: La Gioconda

Sylphe – by André Mauric Sunk before Launching!

André Mauric was the most prolific and best known of Frances 20th century yacht designers. His career started in the 1920s with radical designs for racing yachts to the International Metre Rule in the days when the bermudan rig was still considered new-fangled and fragile, and carried on well into the 1980s when, among other winners he designed the the highly successful Atlantic crossing record breaker Kriter VIII. In between he designed dozens of great boats, including Pen Duick VI for Eric Tabarly, the 1972 Half Ton Cup winner Impensable, the popular and successful First 30, and Sylphe, a classic yacht hidden for 5 years underwater.

(photos: Sylphe racing at St Tropez: www.sail-in-style.com)

Sylphe (originally Ariel) was commissioned by Paul Blanchet, an owner who wanted a yacht to win races under the British RORC rating rule. His timing was not good – it was 1939 when Mauric started designing the boat, and she was still unfinished on the slipway at Chantier Pharo, her builders in Marseille, when the Germans invaded France. In the days of uncertainty and chaos after Frances surrender, believing that the Germans would steal the yachts ballast keel – a 13 ton lead casting (imagine the price of that today!) - Mauric ordered the yard to sink the unfinished hull in a deep part of the harbour.

So it was that Sylphe spent 5 years in hiding under water before she was even launched. Many of the Marseilles shipyard and dock workers knew the secret, but no-one breathed a word, and Sylphe remained safely concealed with all her ballast until the war was over.

After the war Sylphe was recovered and completed. Her long submersion had done no harm – indeed it may have further improved the seasoning of her timbers and made them less liable to distort, crack, or split in later age. She was finally launched in 1947, and though Mauric had designed her with one of his trademark tall bermudan cutter rigs supported on a slender mast, her sailplan was modified in 1953 to give her a larger and taller foretriangle, its foot extended by a short bowsprit. These modifications were no doubt intended to keep her competitive with the latest offshore racing boats which, encouraged by the allowances in the old RORC rating rule, had begun to sport big overlapping genoas and high aspect mainsails.

During the next 50 years or so Sylphe was sailed and raced in the Mediterranean. It seems she was well maintained, with Mauric himself advising on a number of alterations and small repairs. Her original mast was replaced with a new hollow wood mast in the 1980s, and an engine was fitted at some time (she had been designed and launched without one). The teak deck was also renewed during this period. So when she came up for sale in the south of France in 1999 her new owners found her to be in reasonably good structural order, but scruffy, dated, and in need of a lot of attention.

Her new Dutch owners sailed her to Turkey and set about a 7-month total overhaul to make her more suitable for Mediterranean charter use. Although the interior had mostly to be stripped out and rebuilt to provide more comfortable charter accommodation, the original hull timbers and planking, having endured such a long submersion so many years ago, were found to be in excellent order. Only a couple of rot-infected frames had to be replaced. Her owners are proud to claim that Sylphe still has none of the steel bracing and reinforcement that many other yachts of her day now need to keep them in sailing order. They are equally proud that she retains her original mast winches and her unique, custom made, cockpit sheet winches.

Now equipped with all the modern trappings of a top-quality charter yacht, including satnav, full B&G sailing instrumentation, water-maker, autopilot, etc., Sylphe is currently believed to be available for charter in the Mediterranean. She is also occasionally to be seen taking part in classic yacht regattas at St Tropez, Cannes, and at other glamorous yacht harbours.

Sylphe - a classic Andre Mauric design:

LOA: 18.50m
LOD: 17.25m
LWL: 12.68m
Beam: 3.95m
Draft: 2.50m
Air draft: about 23m, masthead 21m above deck
Sail area: Main 84 m2, Yankee 29 m2, Genoa 78 m2, Spinnaker 205 m2, Reacher 105 m2

Link to Sylphe Charter site

Isle of Wight Ferry

"Whats brown and steaming and comes out of Cowes?"

The Isle of Wight Ferry

Clearly theyve changed the paint scheme since that joke was first told.

The Isle of Wight Ferry is something of an English institution linking the holiday island with points on the mainland. In fact there are several this one is the Lymington-Yarmouth ferry at the western end of the Solent.



To the east Wight Link ferries from Portsmouth land Ryde and Fishbourne, plus theres still a hovercraft service from Southsea to Ryde. In the central Solent Red Funnel connects Southampton and Cowes with a car ferry and a fast cat service

One urban myth suggests that its the most expensive ferry journey on a mile per mile basis, who knows

Fowey River Class

The Fowey River Class is a 14 foot traditional dinghy which is actively sailed in the Cornish harbour town.



Based on a knockabout day boat by Reg Freeman in the late 1940’s, the design of which was published in Yachting World. In the early 1950’s a local dentist commissioned a boat to be built by Hunkins Boatyard across the river at Polruan, after that the fleet quickly grew and by the mid 1960’s had reached 36 boats.



Inevitably with the introduction of modern plastic boats the class declined throughout the 1960’s and 70’s, but there has been a resurgence of interest in the class and several new boats have been built including those by local wooden boat builder Marcus Lewis.



Racing on a evening in the summer, the Fowey River Class make a wonderful sight, their distinctive coloured sails and bright finished hulls look spectacular sailing in the steep wooded estuary. The current popularity of the Fowey River Class can be seen all along the town’s water front where well kept examples swing to their moorings when not sailing.



This boat was interesting, it seems to be a FR and certainly the coloured sails and sail number reflect that, but the boat is painted rather than varnished. The planking is also different to other examples, having fewer and broader topside planks and a more pronounced sheer. Whatever her origin she’s certainly a pretty boat.

Atkins enduring Ingrid

Of all the designers inspired by Colin Archers seaworthy double-enders, William Atkin seemed to get it just right. And of all the boats he designed in that tradition, his Ingrid seems to inspire blue-water sailors and wannabes the most.

Of the design he said: "She has all the characteristics usually associated with seagoing ability. She is the kind of boat that behaves in rough water. She can be depended upon to sail herself. She is ableness personified. And equal to any situation."

Since the design appeared, boatbuilders have made Ingrids of wood, fiberglass and even ferro cement. Spiritus is as beautiful an example as you are going to find. Shes made of fiberglass, most likely by one of the several boatyards who produced Ingrid hulls.

Many of these builders would sell to any stage of completion. For every well-found yacht like Spiritus, there is probably at least one unfinished boat in a field or boatyard whose owner ran out of money, time or enthusiasm. In one boatyard I visited, there were three Ingrid hulls lined up - two of fiberglass and one of ferro cement - the boats were decades old, yet never finished. A sad fate for a lady made for the sea.

LOD:37 6"
LWL: 30
Beam: 11 4"
Draft: 5 6"
Displacement: 25,000 pounds
Sail area: 816 square feet

Originally designed as a ketch, later Ingrids also had a cutter rig, like this Alajuela 38.